Added: 16 June 2013

Rg I Ryggen (Swe)

Rg I Ryggen (Swe)
Band Info
Hard / Heavy / Progressive Rock

Bromma, Stockholm

1971 - 1976
Official Website
Bo Lantz - Vocals
Bjrn "Nysse" Nystrm - Guitar, Vocals (Magnus Uggla, Nysse, Strix Q)
Jan Aggemyr - Guitar
Bjrn Aggemyr - Bass (Anders F Rnnblom Band)
Jonas Edgren - Drums
Christer Sjborg - Organ, Keyboards, Strings
Former / Past Members
Jonas Warnerbring (1974 - 1976) - Vocals, Flute (Nederlaget, Spray, French Revolution, Can-Can, SWiz)
Peter Udd/Sandberg (1971 - 1976) - Drums (Glory Bell's Band, Glory North, Yngwie Malmsteen, Rising Force, The Go Getters, Phil Trigwell)
Kurt Persson - Drums
In Sweden in the early 70s bands and artists sprang up like mushrooms after an August rain and every other cellar and garage had its own version of Bob Dylan, Led Zeppelin or Rolling Stones. In the Stockholm suburb Bromma classmates Bjrn Aggemyr (bass) and Bjrn Nysse (guitar) Nystrm began banging away on their instruments when they were just twelve years old. Keyboard player Christer Sjborg soon joined in and Kurt Persson played drums with them for a short while. He was soon replaced by Peter Sandberg and the band named themselves Goda Vnner & Musik (Good Friends & Music). These four kids rehearsed in a 3,5 X 3,5 metres small room in Nysses father cellar, and mostly played songs by british hard rock bands like Deep Purle and Uriah Heep. Bjrn and Nysse managed to persuade their teacher at school (Riksbyskolan in Bromma) to allow them to show their talents in front of the other pupils. The proposal was accepted, but they had to bring their own musical equipment, a problem which was solved by bringing in Bjrns older brother Jan Aggemyr into the band. Jan had a drivers license and a car, an electric guitar and the knowledge to use it, thus fitting the bill perfectly. Shortly before this dbut performance the boys found a package of old bread in the rehearsal room. The brand was Wasa Brd and his tag line ger rg I ryggen (gives strength and courage) immediately caught the bands attention, and the name Rg I Ryggen was born.

At this time, in 1974, the boys in the band were between fifteen and twenty years old, but the band had assembled musical equipment and gear like a rich and famous groups like Yes or King Crimson. Guitarists Jan and Nysse playing Gibson guitars or homemade ones, Bjrn had a Rickenbacker bass and Peter thundered away on a full-fledged Rogers drum kit. Keyboard player Christer had six pairs of keys, including one of Swedens first Mini Moogs and a Hammond A-100 with two 150 watt Leslie speakers! His gear alone would fill half of Rg I Ryggen tourbus, not to mention the trouble of having it all stashed in Nysses parents cellar while rehearsing.

In 1974 the band would perform regularly at youth centres around Stockholm and its suburbs, and they also entered a talent hunt at Jarlateatern. Nysse was the vocalist around this time but about half of the bands repertoire was instrumental. Nederlaget was another band that performed that same evening and that bands vocalist Jonas Warnerbring caught the attention of Rg I Ryggen. He is the son of famous Swedish singer/performer sten Warnerbring, who had represented Sweden in the Eurovision Song Contest in the sixties, although their vocal styles are neither comparable nor alike. Jonas was approached by Nysse and Bjrn that evening and was soon persuaded to quit Nederlaget in favour of Rg I Ryggen.

With a new vocalist on board, the band concentrated more on their own material and kept rehearsing in the small cellar room despite the fact that Rg I Ryggen now consisted of six members and more progressive sound developed, although the band still had his roots in hard rock. Nysses parents never complained about the heavy music almost coming from below, not even when a window broke due to the high volume produced in the enclosed quarter.

An evening that autumn Peter had been out drinking with some friends, and while he waited for the train ride home he befriended Kjell Gradin, an elderly gentleman who appened to run a record label! In their drunken state they immediately agreed on a test recording, and only a few weeks later the band had lined up all their equipment in a small studio in Sundbyberg. Rg I Ryggen performed "Spngaforsens Brus" and a now unknown song, but since neither Kjell Gradin nor his small studio was prepared for the musical assault and this recording was ruined by a heavily distorted sound. The Rondo label had previously only recorded the likes of Gingeflickorna and other very soft vocal acts, but this didnt deter Kjel from making another attempt at recording his newly discovered apprentices. He booked the EMI-studio in Skrmarbrink - which was one of the most modern 16-channel studios in Sweden at the time - for two full days to record a full-lenght album with the band. The dates were the 22nd and 23rd of February, and suddenly a new problem came up. The lyrics for some of the songs where usually improvised on stage, but the band figured that it would not work out in the studio. The lyrics for Naked Man were written the day before the recording and the final touch on Queen Of Darkness were made in the early hours before Rg I Ryggen arrived at the studio at 09.00 AM. The album was recorded in 16 hours. All instruments, except for the synthesizer, were recorded live the first day, while all vocals and mixing was made the second day. Some small errors were soon discovered, but there was no time for overdubs, but while listening to the album today these small things only add authenticity to the groove and general feel of the music.

The eponymous album was released in April 1975 and some of the Swedish-language songs were aired by the Swedish radio. Rondo seemed to believe in Rg I Ryggens music and issued between eight and ten thousand copies of the album, as well as booking a gig at the big scene at Grna Lund on the 3rd of July. The album was distributed by EMI throughout Sweden, but not abroad.
At the time the album was released the band performed live at least two times a week, rehearsed two or three times while everyone held full-time jobs (four of them actually worked in music stores!). Rg I Ryggens following in Stockholm grew bigger and sometimes they would give records to people in the audience if they dared to ascend the stage and sing with the band, and this would occur quite frequently. The band had their own sound technician and a friend doing the lightning, as well as a strict moral codex: no alcohol was allowed before or during a gig, although the audiences used to be loaded. The gigs would usually consist of two 45-minute sets, and usually they would be the only band of the evening, although they once performed alongside the blues rock act Nature.

When the day of the Grna Lund gig came, the arranger told the band that they would be allowed to perform for half an hour at the most, and had to plan the track list accordingly. The volume was set by the band themselves and the performance was to be the second loudest ever measured at Grna Lund (only Wishbone Ash had been louder). All went very well with a great connection between band and audience, but with only the final chorus of "Sanningsserum" left to play someone cut the power! This had previously happened to Jimi Hendrix some seven years earlier and that event is now part of Grna Lund folklore, but this left both Rg I Ryggen and the visitors flabbergasted. The electricians at Grna Lund initially claimed that a fuse has gone, but later admitted that they had actually cut the power to prevent Rg I Ryggen from playing as much as one second more than agreed. The band also played outside Stockholm, in places like Norrtlje, Orsa and Gvle. The distance was never too great though and the band always returned home to Nysses parents after every gig, where sandwiches or a late dinner awaited them.

The contract between Rg I Ryggen and Rondo stated that more songs should be recorded, but being week-end rock stars and full-time employees at once - combined with growing musical differences- finally took its toll on the band. In early 1976 vocalist Jonas Warnerbring and drummer Peter Sandberg left the band and they were replaced by Bo Lantz and Jonas Edgren respectively. This brought fresh influences and a new musical direction. The songs became more complex and the witty lyrics were brushed aside for more serious topics. Sadly this did not work out too well and the band made only a few live performances before breaking up about half a year later. None of the material written by the bands last line-up was ever recorded in a studio, and only a live performance with mediocre sound quality exists. This is sad, since the original vinyl version of Rg I Ryggens only album currently swaps hands for about $ 100-150, and the album is generally considered a classic among connoisseurs of swedish progressive and hard rock. [From the booklet of the CD Rg I Ryggen written by Tobias Petterson]

Info about GLORY BELL'S relation:
Peters last name Udd is a synonym of his real last name, Sandberg. He was born 1957 and raised in a suburb located north of Stockholm. Peter played drums in the progressive rock band "Rg i Ryggen" back in the 70's. The band released an album, the bands only one, in 1975 with the same name. Peter was amazingly only 16 years old when they recorded the album. Half of the albums songs was in Swedish and the other half in English. The album was re-released on CD in the end of 2005 and it includes three live bonus tracks.

In the early 80's Peter played drums in Yngwie Malmsteens Swedish hard rock band RISING FORCE. Peter Peter signed up for GLORY BELLS BAND in the end of 1980. He recorded two albums with GLORY BELLS, "Dressed in black" from 1982 and "Century Rendezvous" from 1984. From 1990 Peter play drums in the hard rock band GLORY NORTH. When GLORY BELLS BAND was dissolved Peter began to work in studios as a sound engineer. He has mixed many different bands with varying music styles during the years. Peters big hobby is sound and technical vintage sound devices. He builds own amplifiers, compressors and many more things from the 60's and 70's.